In Schatz’s article “Film Genre and The Genre Film”, he
talks about the difference between film genre and genre film. He starts off by
explaining that genre acts as a contract between filmmakers and the audience.
He then and that genre films are the actual event that honors this contract,
the film must contain many of the conventions that audiences expect of it.
Schatz notes that film genre is both static and dynamic. How film genres have
to balance the thin line between innovation and conventions. Filmmakers are
required to honor their contract with audiences, but at the same time,
audiences will not come if they are bored. Additionally, film genres must
constantly be adapting to keep up with the changing times and technologies.
Another interesting point Schatz makes is that audiences develop their own
types of expectations as they watch more movies. It is interesting to think
about how we come up with conventions on our own based on the movies we choose
to watch.
Schatz talks about the conventions of characters and setting
in genre films. He believes that a film’s treatment of conflict coupled with
the familiarity of the film’s characters is what distinguishes different
genres. He goes on to explain “that, it is not
musical numbers themselves which identify these films as musicals” (697). While
music is an important aspect of many different types of films, the way the
story deals with conflict is what truly determines the genre of a film. In my
opinion, I would classify any film with diegetic singing and synchronized dancing
as a musical, but it is important to think about the other elements of the
film. Maybe its Western elements, or ganger undertones have a greater affect on
the story and conflict than the musical numbers.
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