This chapter illustrated the stages in post-production for a
feature film. The author suggests that there are four main functions performed
during this period: the inclusion of special effects, dubbing, composition and
orchestration, and editing. The author also suggests, in terms of Citizen Cane,
that most of the film’s original conceptions and creativity came from
post-production work rather than during the actual filming. Having seen Citizen
Cane, I would agree with this statement. The iconic beginning sequence is
heavily edited with fade and wipe effects, which set a certain eerie tone for
the rest of the film; specifically the editing of the sequence with the snow
globe. Arguably the most powerful sequence in the film is the zoon-out of the
snow globe, cut to the mouth saying “rosebud” and then a cut to Cane’s hand
dropping the globe on the ground. This powerful moment leaves the audience wondering,
“What could ‘rosebud’ mean?” throughout the film and this moment would not have
been as powerful without the extraordinary creativity which takes place in the
post-production. One interesting tidbit I found particularly intriguing from
this article was that Orson Welles was only twenty-five when creating Citizen
Cane. What a revolutionary concept and creative use of post-production
techniques by someone a couple of years older than us.
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