This article assesses the film The Big Sleep through the complex analysis of cinematic elements, concluding that the seemingly simplistic nature of Hollywood classicism is actually quite complicated. In a highly constructed and deliberate schematic, he argues, The Big Sleep emphasizes repetition- a redundancy that subverts itself beneath codes.
To be fully candid, the specifics of this coding process read to me more like a foreign language than it did like logic. I truly cannot elaborate artfully on the details of the shot-by-shot analyses; however, I can confidently conclude that such coding shapes the overarching narrative of the story. A sense of symmetry is created through angle shots, number of shots, repetition, dialogue, and balance.
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