After both watching The Big Sleep and reading “The
Obvious and the Code,” I wish I had read and watched the content in
reversed. Because I watched the film
first and then read the article I found the reading confusing. However, if I had read the article before
watching the film, I would have kept in mind the specific shots discussed in
the article when watching The Big Sleep. In the article Bellour discusses twelve
specific shots that help to define the film and its characters. Bellour uses the word “poverty” to discuss
how to the average viewer these twelve shots could go unnoticed. However, to a film scholar these twelve shots
work together, in the order in which they are presented, to develop the film’s
meaning and narrative. The author breaks
down his shots into six codes; which are dependent on specific characteristics
such as camera angle and the motion of the camera. The conclusion of the article demonstrates
how cinematic strategy and techniques can create meaning in a film. Unfortunately, I felt that while the article
was enlightening and interesting, its message would have been more powerful if
I had read it after watching the film.
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